Exclusive Premiere | Giorgia Angiuli - Ofelia (Constant Circles) by change-underground.com

We're very pleased indeed to be able to bring you another exciting exclusive premiere, this time from highly respected producer and performer Giorgia Angiuli. The EP drops on Just Her's always excellent, always innovative Constant Circles imprint on the 26th of September, with three creative originals and a stunningly beautiful remix from Marc DePulse. We've got a full stream of 'Ofelia', one of Giorgia's boundary-smashing originals for you to check out, plus you can read our interview with her here:

Pressing Matters (Original Mix) (HYPE054) [clip] by Hypercolour

The Cyclist produces, what he has termed, “Tape Throb”; musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to. “Pressing Matters” harks back to the golden age of breakbeat; bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it’s a cut that will cross genres with ease. Robag Wruhme never fails to disappoint as a producer/remixer; his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of “Pressing Matters” masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin. “Back In ‘92” will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren’t there first time around, it’s a cut that’s as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums. Featuring the vocal talents of Tanaya Harper, “Push” closes the EP in fine style; intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX’s recent pathos to UK rave culture.

Pressing Matters (Robag's Pinvoldex Sull NB Remix) (HYPE054) [clip] by Hypercolour

The Cyclist produces, what he has termed, “Tape Throb”; musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to. “Pressing Matters” harks back to the golden age of breakbeat; bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it’s a cut that will cross genres with ease. Robag Wruhme never fails to disappoint as a producer/remixer; his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of “Pressing Matters” masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin. “Back In ‘92” will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren’t there first time around, it’s a cut that’s as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums. Featuring the vocal talents of Tanaya Harper, “Push” closes the EP in fine style; intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX’s recent pathos to UK rave culture.

Push (feat. Tanaya Harper) (HYPE054) [clip] by Hypercolour

The Cyclist produces, what he has termed, “Tape Throb”; musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to. “Pressing Matters” harks back to the golden age of breakbeat; bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it’s a cut that will cross genres with ease. Robag Wruhme never fails to disappoint as a producer/remixer; his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of “Pressing Matters” masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin. “Back In ‘92” will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren’t there first time around, it’s a cut that’s as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums. Featuring the vocal talents of Tanaya Harper, “Push” closes the EP in fine style; intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX’s recent pathos to UK rave culture.

Born In '92 (HYPE054) [clip] by Hypercolour

The Cyclist produces, what he has termed, “Tape Throb”; musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to. “Pressing Matters” harks back to the golden age of breakbeat; bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it’s a cut that will cross genres with ease. Robag Wruhme never fails to disappoint as a producer/remixer; his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of “Pressing Matters” masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin. “Back In ‘92” will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren’t there first time around, it’s a cut that’s as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums. Featuring the vocal talents of Tanaya Harper, “Push” closes the EP in fine style; intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX’s recent pathos to UK rave culture.

Mndsgn - Use Ya Mnd (Twentyfourseven) by Stones Throw Records

from the album Body Wash (9/16/16) http://ift.tt/1l4VM0Q

Change Underground Presents Aidan McGlynn (August 2016 Promo Mix) by change-underground.com

Aidan McGlynn has been passionate about dance music for over 20 years. He joined change-underground.com in early 2013 to write about the music he loves. In a series of monthly mixes for us, he lays down the beats he's feeling the most. Enjoy the ride. 1. Dale Middleton - 'Cuesta (Silinder Remix)' - Tarnished Tracks 2. Qbical - 'Back to the Start (Paul Hazendonk Remix)' - Soulful Techno 3. Finnebassen - 'Soul' - Polymath 4. Raifus - 'Chiken Skin' - Malo 5. Sonderzug - 'Simulated Universe' - ICONYC 6. Habichman - 'The Way (Just Her Remix)' - Selador + MUUI - 'Amelie' - microCastle 7. MUUI & Marc Poppcke - 'Grey Feathers' - Crossfrontier Audio 8. Michael Gin & Dan Robinson - 'Running With Butterflies' - Crossfade Sounds 9. Subandrio & Nishan Lee - 'Sustain' - Juicebox